Croatian Glagolitic Script

In the history of Croatian people three scripts were in use:

1. Croatian Glagolitic Script,
2. Croatian Cyrillic Script (bosančica),
3. Latin Script.

Today the Croats are using exclusively the Latin Script.

It is important to emphasize that the earliest known texts of Croatian literature written in the Latin script (14th century) have traces of Church-slavonic influences. Hence, Croatian glagolitic, Cyrillic and Latin traditions cannot be viewed as separated entities. We know that Middle Age Croatian scriptoriums were polygraphic (for example in Zadar and Krk), see [Malić, Na izvorima..., pp 35-56].

The Arabica was also in use among the Muslims in Bosnia-Herzegovina. It was in fact the Arabic script used for the Croatian language and it constitutes the so-called Adjami or Aljamiado literature, similarly as in Spain. Its first sources in Croatia go back to the 15th century. One of the oldest texts is a love song called Chirvat-türkisi (Croatian song) from 1588, written by a certain Mehmed. This manuscript is kept in the National Library in Vienna. Except for literature Arabica was also used in religious schools and administration. Of course, it was in much lesser use than other scripts. The last book in Arabica was printed in 1941.

• five jewels
• ten jewels
• twenty jewels
• thirty jewels
• hundreds of jewels

Investigations of the oldest forms of the Glagolitic Script performed by Dr. Marica Čunčić in her Ph.D. thesis (1985) have led to the discovery of triangular form of the Glagolitic (with triangular shapes occurring in most of the letters), dating from the 9th and 10th century. Its remnants can be found in the Croatian Glagolitic inscriptions - for example on the Valun tablet, Krk tablet, and Plomin tablet (from the islands of Cres, Krk and Istrian peninsula respectively, all from 10th century according to dr. Čunčić), and also on some other oldest Croatian Glagolitic monuments. By transforming the triangles into circles the round type has developed. All three forms can be seen on the Baška Tablet (Bašćanska ploča), also in handwritten books as well as in printed books. Hence, the Glagolitic script evolved from the triangular form:

1. Triangular Glagolitic (9-10th centuries),
2. Round Glagolitic (11-12th centuries),
3. Angular (or Croatian) Glagolitic (13-19th centuries).

Several outstanding European scholars mention Croatian Glagolitic script in their books already in 16th and 17th centuries:

The Rules of St. Benedict, written in Croatian Glagolitic Script in 14th century, are among the earliest known translation of Benedictine rules from Latin into a living language (Croatian Church-Slavonic). Altogether 60 pages are preserved out of 70, that Benedictines had to know by heart. For more information see Regula sv. Benedikta.

We also know that Croatian Glagolitic Benedictines existed in the city of Krk, and on the island of Pašman near Zadar. Even more peculiar was the existence of Benedictines on the island of Brac near Split, in Povlja, who used the Croatian Church-Slavonic liturgy, and - the Croatian Cyrillic Script! It should be noted that members of the Benedictine monastic order were strict followers of the Latin liturgy and of the Latin language and script everywhere in Europe - except in parts of the Croatian littoral.

We provide several tables containing various types of Glagolitic characters:

• round and angular Glagolitic,
• quick-script and angular Glagolitic (see also Croatian Glagolitic quick-script page),
• some Glagolitic ligatures,
• spelling of Glagolitic letters according to George d'Esclavonie (Juraj iz Slavonije), 14/15th centuries,
• caligraphic letters.

A siginificant property of Croatian Glagolitic Script is that the caracters are not standing above the baseline (like in the Latin Script, Greek or Cyrillic), but rather they hang like a laundry on the rope. This can be clearly seen on the following examples (look at the coordinate net drawn by Glagolitic scribes prior to writing):

The Copenhagen Missal, Croatian Glagolitic missal from the 15th century, kept in
the Royal Library Det Kongelige in Copenhagen; many thanks to dr. Mladen Ibler, Denmark, for the photo.
The coordinate net is clearly seen, with letters hanging like laundry on a rope.

Hrvoje Missal, Croatian Glagolitic missal from 1404 kept in Turkey in the Library of Turkish sultans, Topkapi Sarayi in Constantinople. See the coordinate net drawn by scribe Butko.

It is very probable that some Glagolitic documents are kept in private collections. I would deeply appreciate any such information.

The Croatian Glagolitic Script has hundreds of extraordinary ligatures, resembling real buildings, connecting two, three and sometimes even four or five letters. They had been in extensive use in both handwritten and printed books, and especially in the Croatian Glagolitic quick-script. The Brozić breviary alone, which is a printed book (1561), contains as many as 250 different ligatures. The Croatian Glagolitic Script has very probably more ligatures than any other script in history.

Some of the Croatian Glagolitic ligatures. Source Rjecnik crkvenoslavenskoga jezika jezika (Dictionary of Croatian Church-Slavonic Language), technically modified by Marko Csenar, Zeljezno / Eisenstadt, 2010.

The broken ligatures created by Blaž Baromic (14/15th centuries) represent a unique phenomenon in the history of European printing. The idea was to add one half of a letter to another. This possibility arose from the architecture of Glagolitic letters. Broken ligatures appear in two incunabula: the Baromic breviary printed in Venice in 1493, and the Baromic missal printed in the Croatian city of Senj in 1494. When looking at their pages, one has the impression as if they are handwritten. It is fascinating that the Senj printing house had been active despite the onslaughts of the Turkish Ottoman Empire.

Building on the very nice Croatian Glagolitic font created by Nenad Hančić, Tomislav Beronić has extended the set of about 60 ligatures to more than 2000 (two thosand) ligatures! In the recent years (i.e., 2020s), he has published several books entirely typed in the Croatian Glagolitic Script.

The Glagolitic Script began to acquire a new, angular form in the 12th century, usually referred to as the Croatian Script. The round form was also present on earliest Croatian Glagolitic monuments. Let us list more than 30 of the most important Croatian Glagolitic documents written in the round Glagolitic or round/angular Glagolitic in the earliest period (11th and 12th centuries). First those written on parchment:

1. the first of the Kiev Folia - which has been written in the Dubrovnik region (11th century), as proved by dr. Agnezija Pantelic;
2. Sinai folia from 11th century, used in the Dubrovnik region, see dr. Agnezija Pantelic in [Badurina, pp. 101-111] and [O Kijevskim i Sinajskim...],
3. the Vienna Folia (11th century), see the above photo,
4. the Glagolita Clozianus (11th century),
5. the Budapest fragments (11/12th centuries),
6. the Gršković fragment of Apostle (12th century),
7. the Mihanović fragment of Apostle (12th century),
8. the Baška ribbons (12th century),
9. the Ljubljana homiliary, fragment of a breviary (12th century),
10. the Split fragment (12/13th centuries),
11. the muniment of the `famous Dragoslav', (parchment or paper, preserved in later transcript) January 1, 1100, the earliest mention of the towns of Vrbnik and Dobrinj on the island of Krk,
12. Vrbnik fragments (1 and 2) of a church book, 12th century, (see Ivan Berčić's "Čitanka staroslavenskog jezika", 1864, Prague, or Vjekoslav Spinčić's "Crtice iz hrvatske književne kulture Istre", 1926, reprinted by KS, Zagreb 1984),
13. the Vrbnik fragment of a breviary, 12th century (ibid.)
14. the Krakov fragment, 12th century (see Eduard Hercigonja, his article in [Croatia and Europe], volume I, p 390])
15. the Selce fragment, 12th century?,
    see Josef Vajs,
    • Hlaholské knihy obradni a zlomky Selcské, Vestnik K. C. Společnosti Nauk 1909. (IX), Praha, and
    • Najstarši breviar chrvatsko-hlaholsky (prvi breviar vrbnicky), 1910., Praha, page VII and VIII).

As shown by dr. Agnezija Pantelić, Kiev and Sinai folia were used used in the Dubrovnik Diocese by the end of 11th century (see [O Kijevskim i Sinajskim...]. The rest are 18 inscriptions from the 11-12th centuries, carved in stone in the round or the round/angular Glagolitic. It is of interest to stress that Glagolitic monuments carved in stone exist only among the Croats (in today's Croatia and parts of BiH), nowhere else. For more information see Croatian Glagolitic heritage in the region of Dubrovnik.

16. the Valun tablet (11th century; Istria; according to dr. Marica Čunčić from 10th century, personal info.),
17. the Plomin tablet (11th century; Istria; according to dr. Marica Cuncic from 10th century),

    

18. the Krk tablet (11th century; according to dr. Marica Čunčić from 10th century),

    
    Krk Tablet from the 11th century (according to Marica Čuničić, 10th century)
    On the photo Mrs. Mirna Lipovac.
    

19. the Konavle fragment, (1060 or later in 11th century), discovered in the region of Konavle south of Dubrovnik in 1997 (see also Croatian Glagolitic heritage in the region of Dubrovnik),

    

20. the Župa Dubrovačka fragment (10th or 11th century), found in Župa dubrovačka near the city of Dubrovnik in 2006 (see [Žeravica])

    

21. the Baška tablet (end of 11th century),
22. the Baška fragments (end of 11th century), remains of the second Baška tablet,

    

23. the Senj tablet (end of 11th century),

    

24. the Kijevci fragment (11/12th centuries), north - western Bosnia,
25. the Kukuljević tablet (1095), lost, but its content is known (western Slavonia, between Lipovljani and Novska);
26. the Brodski Drenovac stone inscriptions, western Slavonia, according to my estimate the oldest parts belong to 12th century; proof: trapesoidal yat appearing on several places, vaulted Glagolitic D with two eyes, the famous triangular A as on the Baška tablet (on a stone tablet in the church of Sv. Dimitrije, obivously transferred from an older church);
27. the Grdoselo fragment (11/12th centuries; Istria),
28. the Supetar fragment (Sv. Petar u Šumi, i.e. St. Peter in the Wood, Istria, 12th century),
29. the Knin fragment (11/12th centuries),

    

30. the Plastovo fragment (11/12th centuries),
31. the Hum graffitto (Istria, 12th century),
32. the Roc abecedarium (Istria, approx. 1200),
33. the Gradac tablet (2nd half or 12th ct. or 1st half of 13th ct., near Drnis)
34. the Humac tablet (12th century), Herzegovina.

It is possible that the following monuments should be added to the above list:

• the Marian Evangel (end of 10th century; its provenance is still not clear - Bulgarian specialists think it is of the Bulgarian origin),
• the Paris Glagolitic abecedarium (sometimes called "Bulgarian" in the literature),
• the München abecedarium,
• the Rudina inscription (12th century, western Slavonia on the North of Croatia).
• the Sveti Kriz fragment (12-13th century) found near Trsat, Rijeka, in 2004.

Source: [Dekovic, Svetokrizki odlomak]

The above list shows that the name ``Bulgarian Glagolitic'' or ``Macedonian Glagolitic'' for the oldest form of the Glagolitic Script is not fully justified.

The Split fragment of the Glagolitic missal, dating from the 12/13th century,
according to Slavko Kovačić has been written in the Split Archdiocese.

Have a look at some exotic Croatian Glagolitic letters and the list of Glagolitic breviaries and missals!

Zvonimir, Croatian King (note that there are no spacings between words)

Table of Croatian Glagolitic Script on the Baška Tablet. The Latex font created by D.Ž., using METAFONT.

You can see them in the third line - Z'v'nimir', kral' hr'vat'sk'y, in the most solemn position on the tablet, perfectly centered. Very few nations in Europe can boast of having such an extensive written monument in their vernacular language (with some elements of Church Slavonic) as early as the 11th century.

Look at the

• The Baška Tablet web page
• reconstructed content of the Baška table - with spacings between words. The photo on the right is a reconstruction of the Baška Tablet made by academician Branko Fucic. On the left you can see how it looks now, click on it (98 Kb).
• Wen: Baška tablet, Appleby, Drenova.
• episode with the British Prince Philip, related to the Baška tablet.

We must point out the following important fact: Glagolitic inscriptions carved in stone (hundreds of them, the earliest known dating from the 10th and 11th centuries), containing historical data (the names of kings, dignitaries, chiselled years, etc.) exist only on Croatian historical soil, and nowhere else.

There are clear indications that the origin of the famous historical source Sclavorum Regnum, known as Ljetopis popa Dukljanina and Croatian Chronicle, was written in the Glagolitic script. This very old text represents the earliest known historiographical work about Croats and the earliest known literary text in Croatian language.

Panoi Društva prijatelja glagoljice

he Croatian Glagolitic alphabet has a long and interesting history of more than a thousand years. The Croats using the Glagolitic alphabet were the only nation in Europe who was given a special permission by Pope Innocent IV (in 1248) to use their own language and this script in liturgy. More precisely, this permission had formally been given to the bishop Philip of Senj. However, special care accorded by the Vatican to the Glagolitic liturgy in subsequent centuries (even by publishing several Glagolitic missals in Rome), shows that this privilege applied to all Croatian lands using the Glagolitic liturgy, mostly along the coast. As is well known, the Latin had been the privileged language in religious ceremonies in the Catholic Church until the 2nd Vatican Synod kept in 1962-1965, when it was decided to allow vernacular national languages to be used in the Catholic liturgy instead of Latin. It is interesting that even today the Glagolitic liturgy is used in some Croatian churches.

In 1252, the Pope Innocent IV allowed Benedictine Glagolitic monks in Omišalj on the largest Croatian island of Krk to use the Croatian Church-Slavonic liturgy and the Glagolitic Script instead of Latin.

ne of the earliest and most important Croatian legal documents is The Vinodol Code, very different from the Roman law, written in the Glagolitic alphabet in 1288. It also introduced the institution of witnesses. It was unique in Europe by determining moral protection and integrity of women. The Vinodol Code does not allow torture during legal proceedings, and is considered to be one of the most important documents of medieval Europe. Among the Slav Codes only the Rus' Code "Pravda" is slightly older (1282). The first Croatian edition of the Vinodol Code was published in Zagreb in 1843. Two of its Russian translations with comments were issued soon after: in Moscow in 1846 and in St. Petersburg in 1878. A translation of the Vinodol Code into Polish appeared in 1856 and into French in 1896 (Jules Preux: La Loi du Vinodol traduite et annotée // Nouv. rev. hist. du droit français et étranger. - 1896).

The code was published in many European countries: it was translated into at least nine languages. Some of them are Russian (1846, 1878), Polish (1856), French (1896), German (1931, 1987), Italian (1987). For more information see here, and at the Croatian National and University Library in Zagreb.

The Vinodol Code (1288) expressly mentions the notion of "Croatian language" (hervatski), in Article 72.

Vinodolski zakon 1288, scrollable book, National and University Library, Zagreb

The Statute of Vinodol from 1288, British Croatian Review No. 14, May 1978, in English, with commentaries (Ante Cuvalo web site)

There are many other important legal documents regarding medieval Croatia, of which mention should be made of the Korčula codex (from the island of Korčula, 1214, statute of the city and island written in Latin).

t is worth mentioning that some Russian monks had been using the Glagolitic as a secret Script. The latest known case dates back to the 17th century. Even today some children in Croatia use it for the same purpose. And some of my students as well... Anna Evreinova (1844-1919), born in a noble family in Sankt Peterburg in Russia, has translated two important Croatian Glagolitic legal documents into Russian: the Vinodol Code from 1288 and the Vrbnik Statute from 1388. She has travelled along the Croatian coast. Also, she was the first woman in Russia with PhD in Law. Source: Ana Cerovac: Ana Jevreinova, "meštrica" koja je ruskoj javnosti predstavila Vrbnički statut, Vrbnički vidici, br. 58, Božić 2021., pp. 28-29.

Vinodol Code
facsimile
and
a map of Croatian coast
of Adriatic sea.
Composed by
A. M. Everinova
1878
S.-Peterburg

Istarski razvod, [PDF] 5.5 MB
transliteration from Croatian Glagolitic into Latin Script;
source [Luka Kirac]

The Statute of the Poljica Principality (1444, near Split), was written in the Croatian Cyrillic Script. The Poljica Principality (Poljicka knežija) was a unique phenomenon in Europe. It existed continuously for almost seven centuries, with its own very original legal system. Russian scientist P. Alexeev believes that Thomas More wrote his ``Utopia (The Perfect State)'' (Louvain, 1516) inspired by the Poljica Principality. Thomas More calls Poljica man - Poly(it)eritu, i.e. those who use more scripts (3 scripts: Glagolitic, Cyrillic, and Latin). Legend has it that the Principality was founded by three sons of dethroned Croatian king Miroslav in the mid 10th century. It was abolished during the French rule in 1807. As remarked by scientists already in the 19th century, the "Poljica Statute" is very closely related to the above mentioned Rus'ka Pravda, though they appeared in very distant areas (Kyjiv Rus' and Dalmatia). See [Paščenko], p. 272.

One of the items of Poljica statute is that "everybody has the right to live," contrary to many medieval European laws replete with punishments involving torture. Thomas More added to the 1516 edition of his Utopia a frontispiece showing 4 lines in the Utopian language and Utopian alphabet. According to Alexeev, those who know Glagolitic script, at a first glance cannot resist the idea that "some letters in these four lines are in fact written in the Glagolitic script'' (see [Mardešić], p. 147). It is rather amazing that there are as many as four to five thousand private legal documents (contracts, testaments, etc.) kept within Poljica families, and wirtten in the Croatian Cyrillic.

Edo Pivčević: The Poljica Statute

According to dr. Petar Karlić (1877-1940), Statut lige kotara ninskoga [PDF] (The Statut of The League of The District of Nin), dating from 1103 (eleven hundred and three), is the oldest known Croatian law, originally written in the Glagolitic Script, preserved in later transcription in Latin Script (both in Croatian language). As such, it is then the oldest known law among the Slavs. It contains 80 articles, and is almost two centuries older than the Vinodol Code (1288).

Source: Dr. Petar Karlić: Statut lige kotara ninskoga 1103 [PDF], Mjesečnik pravničkog društva u Zagrebu, 1913.

We know of several Croatian city statutes written in the Glagolitic Script:

• the Vrbnik Statute (on the island of Krk), written in 1388,
• the Kastav Statute (1490, Istria, near Rijeka), preserved in Latin, translated from the Glagolitic Script,
• Mošćenica Statute (~1501, Istria), preserved in Latin, translated from the Glagolitic Script,
• the Veprinac Statute (1507, Istria), preserved in the Glagolitic.

In the Krk Diocese there were several parishes with glagolitic village chapters: Baška, Dobrinj, Omišalj, and Vrbnik (on the island of Krk), and Beli, Lubenice, Valun (on the island of Cres).

Except for the very rich sacral literature, there are thousands of other documents proving that the Glagolitic alphabet was also used in the administration and in private communication.

The oldest known Croatian nonliturgical verses (10 poems) are from 1380, written in cakavian dialect in the Glagolitic collection Code Slave 11, which is now kept in Bibliothéque Nationale, Paris. (Many thanks to Mrs. Biserka Kršlin-Barda, Paris, for the link.)

We provide a photo of fragment of a Croation Glagolitic Breviary, written circa A.D. 1225. It is kept in London, in the British Museum Add. 31951, folio 1. (from A History of Writing, Albertine Gaur).

The famous Czech king Charles IV of Luxemburg built a Glagolitic convent Na Slovanech (Emaus) in Prague in 1347, where eighty Croatian Benedictines from the island of Pasman (near the city of Zadar) or Senj were invited.

It is remarkable that the convent is not far from the famous Charles University, built the next year, in 1348 (Charles IV also founded the University of Vienna in 1365). One of the Glagolitic books from this convent (Emaus) in Prague came to Reims in 1574, where according to a legend for centuries the French kings (Charles IX, Henri II, Louis XIII, Louis XIV) were sworn in by putting their hands on this holy book, known under the name Texte du Sacre or L'Évangile de Reims.

This Glagolitic book was written in 1395, and represents a copy of an older Croatian book, written probably in Omišalj. In fact, the Glagolitic book was bound together with a Cyrillic book dating from the 11th century (the Cyrillic part has 16 leaves, and the Glagolitic part has 31 leaves). The book was ornamented with gold, precious stones and relics, and according to [Dolbeau], pp. 26-27, probably calligraphed on the island of Krk or in a Czech monastery. These Dolbeau's pages are available at [Studia Croatica].
The French kings were, according to the said legend, sworn in with the Glagolitic book using the following words:

Precious stones, relics, and a part of the true Cross disappeared from the cover of the book during the French revolution. See [Gregory Peroche], p. 62.

Let us cite the following passage from [Castellan, Vidan, p. 31]:

..Selon divers récits, l'Évangéliaire aurait servi lors du sacre des rois de France, notamment ceux de Francois II et Charles IV, puis d'Henri II, Louis XIII et Louis XIV qui "posèrent la main sur son texte en pronoçant la formule du serment" (L. Paris).

In 1485/46 a French pilgrim Gheorge Langherand wrote that in Zadar he heard a "Sclavonic" sermon, that is, a Croatian Glagolitic mass. In 1549 a French Franciscan and cosmograph Andre Thevet noted the prayer "Oce nas" (Our Father) in Croatian language. See [Raukar], p. 360.

According to the renowned Czech linguist Nemec, the influence that the Croatian glagolites in Prague had on the formation of orthography of the Czech language was "neither big nor negligible". The Polish king Vladislaw II Jagiello also opened a Glagolitic convent in Krakow (Kleparž) in 1390, where the Glagolitic priests were active for almost 100 years. His wife Jadviga was of the Croatian descent.

As a young man, Charles IV visited for several days the Croatian coastal town of Senj in 1337, when he was only at the age of 21. In this important Glagolitic center, with the unique Roman Catholic cathedral where only the Glagolitic liturgy in Croatian Church-Slavonic language had been served (instead of Latin rite), he made friends with the nobleman Bartolomej Frankapan. Frankapan supplied him with military escort on his journey to Tirol, where he was to meet his brother.

Zrin-Frankapan heritage in Croatia: 126 fortresses, castles and bourgs

There exist even earlier important traces of cultural contacts between Czechs and Croats, going back to 10th and 11th centuries. If you visit Prague, we recommend you to see the famous monastery in Sazava, just 60 km from Prague. There you can find the "Croatian room", describing in detail the presence of the Croatian glagolites in Czechia. For additional information see here.

It is worth noting that the famous Czech lexicographer Bartolomej z'Hlouce, better known as Kloret (14/15th centuries), wrote his Latin - Czech dictionary where Latin words are translated into Czech, while words of the Greek or Hebrew origin are translated - into Croatian! For example: sanctus -> svat, hagios -> svet.

The 14th century Czech philosopher Jan z'Holešova wrote in his tractate about the religious song "Hospodine, pomiluj ny" (= "God, have mercy on us", sung even today), that it contains many Croatian words (like hospodine = gospodine). Moreover, he even states that the Czech language and nation stem from the Croats: ...nos Bohemi et genere et lingua originaliter processimus a Charvatis, ut nostrae chronicae dicunt seu testantur, et ideo nostrum boemicale ydioma de genere suo est charvaticum ydioma..., see [Hercigonja, Povijest hrvatske knjizevnosti. II, p. 63].

A Czech chronicler Pulkava from 14th century (died in 1380) mentions that "to this day bishops, as well as priests, serve the Holly Mass and other rituals in their slavic language in Archdioceses and provinces of Split, Dubrovnik and Zadar." See [Strgacic].

Tri češke publikacije o samostanu Na Slovanech u Pragu

The oldest known Croatian Glagolitic Bible is mentioned already in 1380 in a document from the Zadar archives which mentions "...una Biblia in sclavica lingua", see [Runje, O knjigama..., and his article in [Iskoni bje slovo, p 58, and in Nedo Grbin's paper, p 116]. Unfortunately, we do not know if the Bible is preserved. From the same archives there is another testimony written in 1389, mentioning "unus libear Alexandri paruus in letter sclaua... Item unus Rimancius scriptus parrtim in latino, partin in sclauo".

An existing Glagolitic Bible is mentioned by the Italian scholar Giovanni Batista Palatino in his book from 1545.

We also know of another handwritten Croatian Glagolitic Bible prepared by Nikola Mojzes from the island of Cres. We know this from Primoz Trubar's foreword to Stipan Konzul's 1557 translation of the New Testament, see [Jembrih]. A Glagolitic Bible in possession of Bernardin Frankapan in the beginning of 16th century is mentioned in [Bratulić, Leksikon..., p. 150], and that were no news about its destiny. Was this the Zadar Glagolitic Bible?

A Croatian Glagolitic Bible had existed in the town of Beli on the island of Cres, according to a source from 1480 (see [Hercigonja, Povijest hrvatske knjizevnosti 2, p 84]). An inventory from 1624, written in Italian, describes the book as follows: "Una biblia, in schiavo in bergamina". According to [Štefanić, Determinante hrvatskog glagolizma, p 27], the minutes of visitations from 1579 and 1609 mention a Croatian Glagolitic Bible in Omišalj on the island of Krk. Many thanks to dr. Vesna Stipcevic for this information.

A Croatian Glagolitic Missal written in the Latin Script is known to have existed in the Middle Ages, see [Runje, Staroslavenski misal pisan latinicom]. Namely, a document from the Zadar archives written in 1473 mentions a Zadar priest Ivan Krizmanov who left his missal written in the Latin script and in Croatian language to his pupil Simun Nesgorovich.

It has been shown that very early systematic redaction of Croatian Church Slavonic Bible had existed already in the 12th century, see [J. Rienhart].

A Croatian Glagolitic Dominican priest Beniamin de Croatia, born probably in Split, participated in the preparation of Gennadij's Bible, the oldest Russian Bible (finished in 1499). He was the chief collaborator of the Novgorod Archbishop Gennadij, where he spent about 20 years (~1490-1510), at that time the capital of Russia. Beniamin translated large portions from the Latin text of Vulgata into Russian (e.g. the Book of Macabians, the Ezra sermons and some other). It is therefore not surprising that some elements of the Croatian language can be traced in this oldest Russian Bible. Beniamin translated also other western books into Russian. Until his arrival Russia was in contact almost exclusively with Byzantine culture. See [Gregory Peroche], p. 69.

The Missal of Prince Novak from 1368 is considered as a rare and valuable monument of Croatian Glagolitic cultural heritage. It is kept in the Austrian National Library in Vienna. The book was written in Krbava (now a part of Lika). Many specialists say that this is the most beautiful Glagolitic book. Facsimile edition is planned to be published in the near future in Austria.

More detailed information about the Missal of Prince Novak (1368).

Probably the most interesting Glagolitic book is a liturgical book called Missal of Hrvoje, written in 1404 by a Glagolitic scribe Butko. It has 94 beautiful illuminations, 380 colourful initials (some of them in gold), and many more small initials. Some initials contain architectural elements of the city of Split. The book has been kept in the Library of the Turkish sultans (Topkapi Saray) in Constantinople since the 16th century. Once bound in precious covers (with gold and precisous stones), from 19th century Hrvoje's Missal is in leather binding. It is written in two columns on 488 pp (22.5x31 cm), and contains also some music notation.

Missale Hervoiae ducis Spalatensis Croatico-Glagoliticum
(yellow details on the photos are made of golden leaves;
note a nice pine cone at the bottom of the above photo)

Hrvoje Vukčić Hrvatinić was the prince of Bosnia, a Croat who belonged to Krstyans (members of the Bosnian Church), a Christian religious sect about which we still know very little. Hrvoje also left us another very interesting book, Missal for Krstyans, written in the Croatian Cyrillic Script (ikavian dialect) by Hval in 1404, which is now kept in the University Library in Bologna. This beautiful book is a translation from the Glagolitic original. Moreover, Glagolitic letters can be found on two places.

On leaf no 140a on the right margin it is written in the Glagolitic Script: "Svetago Dujma i Svetago Mihovila kipe piši"
("Here, draw the figures of St. Duimo nad St. Michael").
This is Butko's hint to anonymous illumainator where to draw a picture of St. Duimo and St. Michael.



On leaf no 169a, in red ink, it is written: "Tu pomeni žive ke hoć' i Butka pisca"
(Here, mention those alive, as well as Butko the writer.)
Due to this, we know that the name of the writer of the Hrvoje missal was Butko.

Novija istraživanja pokazuje da je Hrvojev misal dovršen 1407. Usp. Mateo Žagar, "Misal kneza Novaka (1368.) u kontekstu hrvatskoga glagoljaštva". U: Misal kneza Novaka (1368.). Znanstveni i stručni prilozi uz faksimil Misala. M. Pavletić, V. Vukoja i V. J. Opačić, ur. Zagreb, 2020., str. 8-24.

According to Croatian researcher Josip Hamm, members of the Bosnian Church (Krstyans) particularly appreciated the Glagolitic Script: all the important Bosnian Church books (Nikoljsko evandjelje, Sreckovicevo evandelje, the Manuscript of Hval, the Manuscript of Krstyanin Radosav, etc.) are based on Croatian Glagolitic Church books.

Due to testimonies of Ivan Zovko written in 1899 we also know that Croatian women in Bosnia - Herzegovina had an old custom to embroider Croatian Glagolitic letters.

Here are some of very interesting Croatian Glagolitic monuments from Bosnia and Herzegovina that I scanned:

• two inscriptions carved in stone tablet found in the vicinity of Banja-Luka (Slatina) from 1471:
  • se pisa t(?) i l, ... ("this was written by...", a typical Croatian expression)
  • se pi(s)a a? i (reference for both monuments is: [Poviest], see also [Fucic, Glagoljski natpisi -> Slatina]).
• from the Manuscript of Krstyanin Radosav, 15th century (a Glagolitic page from the book written in Croatian cyrillic; the book contains also Croatian Glagolitic Azbuka).

The Croats possess an extensive collection of more than 800 legal documents, statutes etc., written in the vernacular between 1100 and the end of 16th century - more than any other Slav nation. This extremely important collection of muniments called Acta Croatica (or listine hrvatske) represents a rich source for the study of the Medieval Croatian language. Most of the documents are written in Glagolitic, some also in Croatian Cyrillic and Latin. "Acta Croatica" is to be published by the Croatian Academy of Sciences and Arts. The first two incomplete editions were published in 1863 and 1898.

The New York Missal, is a Croatian Glagolitic book written during the second quarter of the 15th century in the region of Zadar or in the Lika-Krbava region. It is now in possession of the Pierpont Morgan Library in New York. Reprinted by Otto Sagner Verlag (Munich) in 1977 with an introduction by Henrik Birnbaum (USA).

You can see more about some outstanding Croats in the Middle ages who used the Glagolitic Script:

• George d'Esclavonie (or de Sorbonne),
• Nikola Modruški,
• Šimun Kožičić-Benja.

pelling of Glagolitic Letters, with the corresponding numerical values, according to George d'Esclavonie (Juraj iz Slavonije or Juraj Slovinac, ~1355-1416), Glagolitic priest and university professor at Sorbonne in Paris (his manuscripts are kept in the Municipal library in Tours, France; in his accompanying text he wrote: Istud alphabetum est Chrawaticum -This is a Croatian Alphabet):

Table of the Croatian Glagolitic Script written by Juraj Slovinac (Jurja iz Slavonije, George d'Esclavonie) handwritten by the end of 1390s in Paris, at the famous University of Sorbonne. Juraj writes Istud alphabetum est chrawaticum (This is Croatian Alphabet!), see boxed below the table. The number above Yus is 5000, not 4000, since 5 at that time was written similarly as we write 4 today (information by the courtesy of Darijo Tikulin, Zadar).

A table of Croatian Glagolitic Script according to Georges d'Escalvonie (arround 1400), and with letters created according to the first Croatian printed book from 1483. The Croatian Glagolitic font has been created by Filip Cvitić.

Please, note well that Glagolitic letters appear naturally in groups of nine: first we have nine glagolitic letters representing 1, 2,..., 9 (az - zemla), then 10, 20,..., 90 (iže - pokoi), then 100, 200,..., 900 (r'ci - ci), and finally thousands, which start with 1000 (črv). It is natural to assume, following this scheme, that the prothoglagolitic had nine values for thousands, and not only five (črv, ša, yer, yat, yus, yest-ye): 1000, 2000,..., 9000. In other words, the prothoglagolitic seems to have had altogether four groups of nine letters:

Information by mr. Dario Tikulin, amateur from Zadar, who has his own reconstruction of three letters in Croatian glagolitic for special sounds, which went out of written practice long ago. Mr. Tikulin also informed me that Šimun Kožičić Zadranin (or Benja, Begnius; around 1460-1536) in his Glagolitic book Knjižice od žitja rimskih arhireov i cesarov printed in Rijeka in 1531, used the Glagolitic yus in the meaning of the number 5000 (on p 3, line 5 from below). Here it is

...od složenija mira *Yus*R*P*Z* (i.e. "...5199 from the creation of the world")




Šimun Kožičić Zadranin (= Šimun Kožičić of Zadar), bishop of Modruš, Knjižice od žitija rimskih arhiereov i cesarov (a part of the title page)

It is interesting that as a rule, Croatian Glagolitic letter zelo (8) is oriented to the left, not to the right. This discovery has been incited by a question of Mr. Milan Pajičić (then a secondary school student) from Vukovar in 2005, during a basic course of the Croatian Glagolitic Script in the Vukvoar Library delivered by D.Ž.

One of preserved manuscripts of George de Sorbonne is kept in the Municipal Library of Tours, France. It contains standard prayers like:

• Zdrava Marie and Vjeruju
• Oče naš

You can see a fragmentary, yet impressive list of the most important Glagolitic monuments over the centuries (in Croatian).

Jewels of the Croatian Glagolitic Culture:

• five jewels
• ten jewels
• twenty jewels
• thirty jewels
• hundreds of jewels

It is generally believed, even by specialists, that the last letter of Croatian Glagolitic is Jus. However, this is not true. There is (at least) one more letter, coming after Jus, which is Jest - je (as spelled by George de Sorbonne). Ten important Croatian Glagolitic abecedariums (they contain 32 - 33 letters) confirm this:

• The Roč abecedarium (Istria, about 1200),
• Pašman abecedarium (Pašman breviary, 14th century),
• two Lovran abecedariums (Lovran is a town on the Istrian peninsula), see [Fučić, pp 238 and 240],
• two Glagolitic abecedariums of Juraj from Slavonia (George d'Esclavonie or George de Sorbonne), kept in France, around 1400,
• Two Glagolitic abecedariums of Bosnian Krstyanin Radosav from 1443, see one of them
• Psalter of Šimun Kožičić Zadranin (or Benja), printed in 1531 in Rijeka,
• Glagolitic primer from 1527, printed in Venice.

Until 14th century in Croatian glagolitic alphabet Yat was on position 26 (with numerical value 800) and Shcha on position 31. By the end of 14th century they change their positions, so that since then it was Šća that had numerical value 800 instead of Yat. See [Fučić, Glagoljski natpisi p.14], and also [Fučić, Brojevi u glagoljici].

The first Croatian printed book in Glagolitic letters appeared as early as 1483, only 28 years after Gutenberg's Bible, 6 years after the first printed book in Paris and Venice, one year before Stockholm, 58 years before Berlin and 70 years before Moscow. It was a Missal (440 pp, 19x26 cm), unfortunately it is not known where it was printed. The Croatian Glagolitic Script was the fifth to appear in the history of European printing, very soon after the Latin, Gothic, Greek and Hebrew scripts. Twelve incomplete preserved copies of the first Croatian incunabulum are kept in

• The Library of Congress in Washington,
• in the Russian National Library in Sankt Peterburg,
• in the National Library in Vienna,
• in Apostolic Library in the Vatican (two copies),
• and in Croatia seven copies: six in Zagreb (2 in the Library of Croatian Academy HAZU, 2 in National and University Library, 1 at the Convent of St. Xavier of Franciscan Glagolitic Tertiaries, one in the City Library of Zagreb, contanining only 7 leaves), and one partially preserved copy in the Dominican Convent in the town of Bol on the island of Brač (near the city of Split).

The first incunabulum printed in the Croatian language and in the Latin Script was the Lectionary of Bernardin of Split, published in Venice in 1495. There is no doubt that it was created on the basis of earlier Glagolitic lectionaries.

Glagolitic books were printed not only in Croatia (Kosinj, Senj, Rijeka), but also in Venice, which had two Glagolitic churches at that time, and in Rome. Early Croatian printing becomes even more fascinating if we consider that at that time (by the end of the 15th century) invasions of the Ottoman Empire began. We know that the Croats participated in preparation of as many as 150 incunabula in Croatia and western Europe in the period between 1474 and 1500 (i.e. books printed during the earliest period of printing, 1455 - 1500).

We know of altogether five titles of Croatian Glagolitic incunabula, whose samples are kept in

• Zagreb,
• Washington,
• the Vatican,
• Sankt Peterburg,
• Schwarzau,
• München,
• Budapest,
• Venice,
• Sibiu (Roumania),

There are altogether 71 printed Croatian glagolitic editions in the period from 1483 till 1812 (the so called old-printed glagolitic editions, which do not include Parčić's 1893 missal and several later editions, named so by [Kruming] - in Russian: Staropečatnye glagoličeskie knigi). According to Kruming's classification, there are

• 6 incunabulae (15th century),
• 13 from the first half of 16th century,
• 16 from the second half of 16th century,
• 8 from the 17th century,
• 27 from the 18th century,
• 1 from the 19th century (1812).

• Kosinj, 1 (Kosinj breviary from 1491),
• Senj, 7 (1494-1508),
• Rijeka, 6 (1530-31),
• Bologna, 1 (1492, lost incunabulum), 1,
• Venice, 12 (1493-1561),
• Rome (The Vatican), 29 (1628-1812)
• Tübingen, 13 (protestant editions, 1561-1565),
• Nürenberg, 2 (protestant editions, 1561-1565).

Let us mention the name of Dobrić Dobričević (Boninus de Boninis de Ragusia), Ragusan born on the island of Lastovo, 1454-1528, who worked as a typographer in Venice, Verona, Brescia. His last years he spent as the dean of the Cathedral church in Treviso. His bilingual (Latin - Italian) editions of "Aesopus moralisatus, Dante's "Cantica" and "Commedia del Divino" were printed first in Brescia in 1487, and then also in Lyon, France. We know of about 50 of his editions, the greatest number belonging to the period of 1483-1491 that he spent in Brescia - about 40. Croatia is in possession of 19 of his editions in 30 copies. The greatest number of his editions is in possession of the British Museum, London (22).
Another Croat, known as Jacques Moderne, born in Buzet (15th century), Istria, printed about 50 music booklets in Lyon, France.

ccording to the views of most Slavic scholars, the Glagolitic Script was created by St. Cyrill in the second half of the 9th century. Not all scholars agree on this point. Some of them believe that it must have existed earlier, and that it had a natural development over a much longer period. In any case, some of its letters are quite close to the corresponding ones from very old oriental scripts: South-Semitic, Samaritan (an old Hebrew Script), the Cretan linear A and B, Armenian and others. Some are of the opinion that the appearance of this Script in this part of Europe was due to extensive migrations from the East. The question of the origins of the Glagolitic Script seems to be still a difficult open problem. In the earliest period it also existed in Ukraine, Bulgaria and Macedonia, but only until the 12th century, when the Cyrillic Script (which is essentially a Greek Script) became predominant.

• Renowned French polyhistorian, Hebraist, and encyclopaedist Guillaume Postel included a table of Croatian Glagolitic Script (which he calls Alphabetum Hieronymianum seu Dalmaticum, aut Illiricum) in his book Linguarum duodecim characteribus differentium alphabetum ([pdf] at Bibl. Nationale, Paris) published in 1538. According to Eduard Hercigonja, this represents the first mention of Croatian Glagolitic in West-European printed literature. Here is Postel's Glagolitic table, [pdf], or see below:
  
  
  
  

In 1545, in Rome, an Italian encyclopaedist Giovanni Batista Palatino presented the Glagolitic Script in the second edition of his book Libro Nouvo (Libro nel qual s'insegna a scrivere ogni sorte lettera, antica et moderna...), among 29 scripts that he designed for printing. He claims the Glagolitic (which he calls Buchuizza - bukvica) to be created by St. Jerome, and "different from all other existing Scripts".

Gianbatista Palatino also mentions that there are numerous breviaries and missals written in the glagolitic, including the Glagolitic Bible (...et anco la Biblia). In the book a Croatian cyrillic is also exhibited, with the inscription on the tombstone of the Bosnian Queen Katarina (15th century).

Thousands of books were printed in the Croatian Glagolitic and some in the Croatian Cyrillic Script during the past centuries, many of them with the generous help of Croatian Protestants who were active in Wittenberg and Urach in Germany in the 16th century. About thirty books were printed in 25,000 copies between 1561 and 1565, 300 of which have been preserved. On the front page of the Glagolitic Cathecismus prepared by the Croatian Glagolitic priest Stipan Konzul from Istria and printed in the German city of Tübingen in 1561, it is explicitly stated to be written in the Crobatischen Sprach (in Croatian language). It is interesting that several editions were printed for Italians living in Istria (of course, in Italian and in the Latin script).

The last Croatian Glagolitic book (the Parčić Missal) was printed in Rome in 1905.

It is little known that a rescript of Austrian-Hungarian King Ferdinand I (1515-1564) granted the Burgenland Croats in Austria, who had to escape before the Turks, the right to choose their own priests who practiced God's service in Croatian vernacular language, and with holly books written in the Glagolitic. This privileges had been cancelled after his death, and since 1569 the Glagolitic was officially forbidden in Croatian parishes in Burgenland in Austria (Gradisce). See Miroslav Vuk-Croata: Hrvatske Božićnice, HKD Sv. Jeronima, Zagreb 1995, p. 167.

In 1584, Slovenian grammarian Adam Bohorič published his most important book  Arcticae horulae succisivae (Free Winter Hours) in Wittenberg in Germany in the Latin language,  in which there is a table of Croatian Glagolitic Script. Its characters are called Croatian or Glagolitic letters, with a detailed presentation of this script:

Literae Croaticae seu Glagoliticae.

More extensive information about Croatian Glagolitic introduction
contained at the beginning of the Bohorič grammar from 1584.

Luca Orfei created a set of Croatian glagolitic caracters in Rome in 1589 (Caratteri glagolitici disegnati in pietra e fatti intagliare in rame da Luca Orfei, Roma, 1589, nr 94). Note that the order letters is AZ VIDI BUKI..., instead of the usual AZ BUKI VIDI... (the same mistake is contained in the table of Guillaume Postel). It seems that Luca Orfei copied the glagolitic table from Postel.

For more information see the monograph "Tre Alfabeti per gli Slavi", 1985, Biblioteca Apostolica Vaticana.

Sala Sistina (the Sixtine Hall) in the Vatican Library,
with the figure of St. Jerome on the right (the first column, with blue background), containing the table
of the Croatian Glagolitic Script above his head (on red background).

Note a lion by St. Jerome's right leg.

The table of the Croatian Glagolitic Script above the head of St. Jerome
It starts with AZ VIDI BUKI..., instead of the usual AZ BUKI VIDI...
The same order of glagolitic letters can be found in the Croatian Glagolitic table of the
French scholar Guillaume Postel published in 1538, as well as in the table of
the Italian scholar Luca Orfei published in 1589.
The fresco of St. Jerome in the Vatican Library was ordered by Pope Sixto V, and was completed in 1589.
(Many thanks to Daniel Premerl, PhD, for this information.)

 
S. Hieronymus Litterarum Illyricarum Inventor
i.e., St. Jerome - inventor of Illyric letters, that is, of the Croatian Glagolitic Script.
Many thanks to Darijo Tikulin for sending me the above two photos, issued as a part of the front cover of his book
"Libri iz armaruna moga dida Mate maranguna", Zadar 2018., published by Društvo zadarskih Arbanasa.

In 1591 an Italian scholar Angelo Rocca (founder of Angelica Library at Rome) wrote a book where Glagolitic Script is included (A. Rocca: Biblioteca Apostolica Vaticana a Sixto V... translata, Roma, 1591: Alfabeto glagolitico).

Brothers de Bry (Johann Theodor and Johann Israel de BRY) published a luxorous book Alphabeta et Characteres, iam. inde a creato mundo ad nostrausq. tempora, apud omnes omnino nations usurparii; ex variis auto: ribus accurate depromptii. Frankfurt, 1596.
Among the alphabets represented are Syrian, Phoenician, Hebrew, Egyptian, Arabic, Sumerian, Greek, Slavic, Croatian, Russian, Armenian, Indian, Visogothic and a multitude of Roman alphabets. Here is Alphabetum  Croaticum (note that zelo, iže, ot, jer and jest-je are omitted from the table):

Brothers de Bry call this script "Alptum Slavorum", but this is in fact also "Alphabetum Croaticum" as in the above table. See [Kempgen].

Mavro Orbini, Croatian historian and Benedictine priest, in his book Il regno de gli Slavi, Pesaro 1601, provided the description and the table of the Croatian Glagolitic script (called Buchuiza) and of the Cyrillic (called Chiuriliza). However, one has to be very cautious with interpretations of its content (see [Gavran, IV]). We mention in passing that he also issued Ljetopis popa Dukljanina, one of the oldest Croatian literary texts and historiographical chronicles, dating from 12th century. Orbini's other work concerning the history of Bulgarians represents the beginnings of modern historigraphy of this nation.

Claude Duret, French scholar, is the author of the book Thrésor de l'histoire des langues de cest Univers (1078 pp), published in 1619, which contains two tables of Croatian glagolitic, and we show one of them (on p. 740):

The second table is here (on p. 739): [JPG]. In his book he cited Giovanni Batista Palatino's description of the Glagolitic, and translated it into French (see [JPG]): "... & ont en icelui leurs Messels, Breuiares, & Offices de la nostre Dame, & encor la Bible". On p. 744 one can find Lord's Prayer in Croatian (see [JPG]). See [Kempgen].

It is interesting that a table of the Glagolitic Script was included as early as in 1664 in a book prepared by Richard Daniel and published in London. It represents a catalogue of various Scripts in use in the Christian world. The Glagolitic Script presented there is called expressly the Croatian hand or Alphabetum Charvaticum. The book contains also the table of Croatian glagolitic quick-script, which Daniel calls Sclavorum Alphabetum, and Croatian - Bosnian cyrillic (many thanks to Professor Ralph Cleminson for this information). The book is entitled Daniels Copy-Book: or, a Compendium of the most usual hands of England, Netherland, France, Spain and Italy, Hebrew, Samaritan, Caldean Syrian, Aegypitan, Arabian, Greek, Saxon, Gotik, Croatian, Slavonian, Muscovian, Armenian, Roman, Florentine, Venentian, Saracen Saracen, Aethiopian, and Indian characters; with all the hands now most in mode and present use in Christiendom... See [Franolić] and also [Kempgen].

A small table containing twelve Glagolitic and Cyrillic letters was provided by Ivan Tomko Mrnavić in his book Nauk Karstianski (Christian Science, published in Latin and Croatian languages in left and right columns respectively), Rome, 1708.

Anselmo Banduri (Dubrovnik, 1675 - Paris, 1743), Ragusan benedicine monk, archaeologist, paleorgrapher and antique numismatics expert, discusses Croatin Glagolitic Script in his book Imperiorum oriental, sive Antiquitates Constaninopolitanae, Vol II (Vol II contains also De Administrando Imperio by Constantin Porphyrogenetus, as well as two tables of Croatian Glagolitic Script just following p. 119; Bibliotheque Nationale Paris), published in Paris in 1711. See these two tables below.

Johann Friedrich Fritz, Neu eroͤffnetes in Hundert Sprachen bestehendes A.b.c. Buch, Oder Gruͤndliche Anweisung, In welcher Der zarten Jugend nicht allein in der Teutsch, Latei- nisch, Franzoͤsisch, Iͤtaliaͤnischen, etc. sondern auch zu denen meisten Orientalischen Sprachen, deren Erkanntniß und Aussprache in kurtzer Zeit zu lernen, Ein leichter Weg gezeiget wird. Leipzig, bey Christian Friedrich Geßner, 1743. – Available online. Note that Fritz uses the following terminology: Glagolitisch oder Croatisch (i.e., Glagolitic or Croatina Script). The reader will also notice several mistakes in the table. See [Kempgen].

The French Encyclopedie by Diderot and D'Alambert from 1751 has a table and a short description of the Glagolitic script, called Ilyrien ou Hieronimite (in section Alphabets anciens). This enabled wide European cultural circles to be better acquainted with this exotic script:

...Les caracteres illyriens sont singuliers et on y remarque trés peu de rapport avec les alphabets que nous connaissons...

For more information see [Hercigonja: Na temeljima hrvatske književne kulture, pp 49-56]. The photos of the Croatian Glagolitic table in the French Encyclopedia can be seen here.

A short note about Croatian Glagolitic and Cyrillic (see below) can be found in Viaggio in Dalmazia by Alberto Fortis, Venice 1774. The book is also known to have brought the famous poem of Asanaginica to European public. See also at the Croatian Cyrillic web page.

Što se bili u gori zelenoj?
Al su snizi al so labutove?
Da su snizi već bi okopnuli;
Labutove već bi poletili.

Here is the same text in Croatian Cyrillic quickscript (with slight differences):

Što se bili u gori zelenoi
Al su snizi al su labutovi
Da su snizi već bi okopnuli
Labutovi već bi poletili

esides of city of Senj, Zadar was also an important Glagolitic center during centuries. It is interesting that in numerous Zadar churches - St Marija, St Donat, St Stjepan, St Mihovil and other - also the Glagolitic mass was served besides Latin. The same is true even for the Zadar cathedral of St Stošija. See [Runje].

Glagolitic heritage in the Zadar Archdiocese

The Glagolitic alphabet represents maybe the most interesting cultural monument of Croatia. Our Glagolitic books (written and printed) and other Glagolitic monuments are scattered in many national libraries and museums of the World, in as many as 27 countries, in more than 90 cities outside of Croatia:

• permanent Exhibition of the Glagolitic Script (Izlozba glagoljice) in Rijeka, which we strongly recommend to you (prepared by academician Branko Fučić and prof Vanda Ekl; address: Dolac 1, near Korzo in the center, 10-13, 18-20, every day except Sunday and Monday).
• the Alley of Glagolites (Aleja glagoljaša) joining the cities of Roč and Hum in northern Istria (7 km). We recommend that you stop in the village Bernobici near Hum, where there is a Glagolitic lapidarium. Don't miss seeing Roč and Hum - the smallest city in the world!
• permanent Exhibition of the Glagolitic Script in a Franciscan convent of St. Paul on the beautiful island of Galevac (also called Školjić), near the town of Preko on the (much larger) island of Ugljan (close to Zadar). Contact address: dr. fra Bozo Sucic, Samostan sv. Pavla, 23273 Preko, Croatia. Also an interesting annual International art workshop "Jadertina" is kept on Skoljic.
• Glagolitic lapidarium in Valun on the island of Cres,
• The exotic city of Vrbnik on the island of Krk.
• the Baška tablet (Bašćanska ploča, replica) in the church of St. Lucy in Baška on the island Krk.
• Blaca, a remote hermitage built on cliffs on the island of Brač, is indeed a fascinating place. It was founded by Croatian Glagolitic hermits, who fled here from the Turks in the 16th century. The last Glagolitic hermit was Don Niko Milićević, who was also an astronomer of international reputation, with his published works in such prestigeous journal as "Astornomische Nachrichten" in Vienna, and with rich international correspondence. After his death in 1963 the place was transformed into museum.
• In the village of Gata (which belongs to very old Poljica principality) near Omis, not far from Split, there is a monument to unknown Glagolitic priest, carved by Kruno Bošnjak in 1989.
• Glagolitic path in the village of Gabonjin near Dobrinj on the island of Krk (conceived and realised by Mr Svetko Ušalj in 2001).
• and more.

Events:

• Glagolitic Breviary of Vitus of Omišalj (1396), written by academician Branko Fučić on the occasion of its 600th anniversary.
• Discovering the Glagolitic Script of Croatia, Long Room of the Dublin University Trinity College Library, Ireland, from 20th November 2000 till 20th February 2000. The representative catalogue with very nice photos and detailed comments exists. We know of three Glagolitic documents containing texts of Irish provenance:
  • A Croatian Glagolitic miscellany from the first half of 15th century, kept in Oxford (Bodleian Library), contains St. Patrick's Purgatory. The Oxford Miscellany also contains Philbert's Vision which originated probably in Latin in England in the 13th century.
  • Tundal's vision (Visio Tugdali), an Irish legend from 12th century, is contained in the Petris Miscellany (Petrisov zbornik) from 1468, the most important Glagolitic collection.
  • De Morte Prologus (an imaginary discussion between Man and Death), contained in a Croatian Glagolitic miscellany from 15th century (National and University Library of Ljubljana, Slovenia), and in the Petris Miscellany from 1468.

According to Marin Tadin, Oxford Bodleian Glagolitic Missals (from Canconici collection) have large initials that are of considerable artistic merit.

In 1626 the archbishop of Zadar informed the Congreation de Propaganda Fide that in Dalmatia ther were 113 (hundred and thirteen) catholic parishes in which Glagolitic liturgical books were used. See [Krasić, p. 82].

• Relief with the figure of St. Martin, Senj, 1330
• Lintel with Glagolitic inscription, Baška, 1626
• Reliquiary with Glagolitic inscription, Novi, 16th century

1. Glagolitic palaeogrpahy (and also Croatian cyrillic); see [Žagar 2021]
2. Acta Croatica; in Šurmin's last 1898 edition of Acta Croatica which is rather incomplete, we read a 1288 muniment about Stipan from old Dubrovnik, the Glagolitic bishop of Modruš in Lika, p. 74); see also [Modruš, p. 112]. The content of the muniment is here.
   
3. detailed catalogue of the Croatian Glagolitic (nobody knows by how many units the preserved Croatian Glagolitic heritage is represented, not even in thousands: 4000, 5000,...?).